I’m really looking forward to a pair of upcoming events:
On Thursday, January 26th, at 7 p.m., I’ll be at the Warner Library in Tarrytown, N.Y., reading from and talking about “Rip,” my modern-day parody of Washington Irving’s “Rip Van Winkle.”
In his later years, Irving lived at Sunnyside, his home on the Hudson River in Tarrytown. Sleepy Hollow Cemetery, made famous in Irving’s take of the Headless Horseman, “The Legend of Sleepy Hollow,” is in Tarrytown. And the Rip character in my send-up of the original works as a toll collector on the Tappan Zee Bridge, which is nearby the Warner Library.
Try to make it if you’re in the New York-New Jersey-Connecticut area. Admission is free. Books will be available for purchase and I’ll be available to sign copies.
Soon after spring’s sprung — on Saturday, March 31, at 2 p.m., I’ll be a guest of the Washington Irving Inn in Tannersvlle, N.Y. right in the heart of the Catskills, where ol’ Rip Van Winkle took his fateful nap. I’ll be reading from “Rip,” and talking about about both Washington Irving and how I came to write a parody of one of his most beloved and famous works. The inn’s website is www.washingtonirving.com
To read more about the book, visit www.blackangelpress.com
To order the book (either the actual book or the Kindle edition), go to http://www.amazon.com/s/ref=nb_sb_ss_i_0_11/180-2933089-2944910?url=search-alias%3Daps&field-keywords=digiovanni+rip&sprefix=digiovanni+%2Caps%2C248
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Tags: "Rip", Catskills, literary parody, Nicholas DiGiovanni, Rip Van Winkle, Sleepy Hollow Cemetery, Tarrytown, Washington Irving
At Kerouac’s grave
“He honored life…”
But have the living given proper honor to Jack Kerouac, America’s one true spokesman, who plumbed the deepest depths of sorrow and climbed to the highest ledge of beauty and joy?
His grave at Edson Cemetery in Lowell, Massachusetts, is marked with a simple slab with the above inscription, the names of the names of the grave’s two tenants — John L. Kerouac, “Ti Jean,” and his third wife Stella Sampas, and their dates of birth and death. Nearby are the graves of Stella’s mother, father and brother.
Pilgrims to Kerouac’s grave leave tokens and talismans — piles of pebbles, beer bottles, cigarettes, spare change and ballpoint pens.
Lowell does its best to remember its native son — there’s an annual Kerouac festival and even a Kerouac park with stone monuments engraved with quotes from his prose and poems.
And people abound who can point out the Catholic church and Catholic school he attended in the city, who can talk knowingly about his brief stint as a sports reporter for the Lowell Sun, and even folks who can point you to the bars where Jack used to drink — and oldtimers who actually drank with Jack (or at least say they did).
But stand at Kerouac’s grave on a cold day in January as the wind rushes off the Merrimack River and stirs the brown grasses and dry leaves. The winter sun lays low in the sky. It casts a certain slant of light. The light has the heft of cathedral tunes.
Kerouac’s grave is just one of thousands in the sprawling cemetery. They’re all just as dead. Their bones are all just as bleached and brittle. Their names and dates will erode and fade from their stones — and so will Jack Kerouac’s, despite the pebbles and bottles and cigarettes and change.
Standing at this holy tragic place I hear the rattle of bones and the riddles of life. And I hear Jack Kerouac speaking, his words pouring out, his words slurred by dharma and drink:
“Love is all.”
“Happiness consists in realizing it is all a great strange dream.”
“It all ends in tears anyway.”
“Something good will come of all things yet.”
Pilgrims, hear those words, and say them like a prayer, when you stand at Kerouac’s grave.
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Tags: Beat Generation, Jack Kerouac, Kerouac's grave, Lowell MA., writers' graves
Hooray! My short novel, “Rip,” a 20th-century parody of “Rip Van Winkle” (Rip is a toll collector on the Tappan Zee Bridge in Tarrytown…he and his ne’er-do-well friends, the Sleepy Hollow Boys, do battle with a group of feminists who take up the cause of Rip’s wife….) is now (finally!) available as a Kindle edition.
Here’s the link to obtaining a million dollars worth of laughs for just $4.99….That’s less than a Big Mac Meal….Way less than going to the movies…Less than (can you believe it?) the Sunday New York Times…In other words, don’t get caught napping like old Rip Van Winkle — buy your Kindle edition now!
http://www.amazon.com/Rip-ebook/dp/B006VOS6AU/ref=sr_1_2?ie=UTF8&qid=1326222972&sr=8-2
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Tags: "Rip van Winkle" parody, "Rip", DiGiovanni, ebooks, electronic version of "Rip", Humor, Kindle edition of "Rip", Nicholas DiGiovanni, parody, satire, Washington Irving
Crabby about lobsters?
The waitress at the harborside seafood restaurant in New Hampshire had already delivered to our table what were apparently necessary but totally unfamiliar tools: a nutcracker, a tiny fork, a wet paper towel.
Now she plunked down before me a dinner plate crowded with steamed clams and the main course, the entree, my entrance into a world I had glimpsed but never visited, a bright red lobster which, combined with the puzzlingly named “drawn butter,” would, I was told, be claws for gastronomic celebration.
Thence and thusly I embarked on my first lesson in the art of cracking open a lobster’s shell and claws in order to probe deeply into said shell’s crevices and then withdraw from those dark mysterious regions the sweet and succulent meat of the poor lobster who was now just a shell of his former self.
Here’s what I learned about eating a lobster: It is an act of violence, faith and persistence that is not for the weak of spirit or stomach. I’m told that the expression of my face — as I cracked open lobster shells to get at lobster innards while lobster antennae and lobster legs shivered and quivered — looked something like the expressions on the faces of the Little Rascals when Spanky’s mom served them mush and cod liver oil for breakfast.
When one eats pork, chicken or beef, at least the meat has usually been transformed beyond recognition into something that mostly looks nothing like the flesh of a dead cow, chicken or pig.
Eating that lobster, though, I had clear images of the prehistoric-looking creature scuttling steadfastly along the ocean floor when it was suddenly snared in a net along with hundreds more of its brethren and, within hours, thrust headlong into a pot of boiling water, then delivered to my dinner plate while Mrs. Lobster and her poor fatherless children waited unwittingly and unknowingly for the return of the husband and father they would see no more.
I must admit that despite my reservations — equal parts guilt and apathy — I thoroughly enjoyed ingesting the approximately one ounce of lobster meat I managed to liberate during approximately two hours of poking and probing and insinuating and exploring the poor litle (one pound) lobster’s dead and lifeless and boiled body.
But what of poor Mrs. Lobster and her poor orphaned Lobster children?!
As I dipped Mr. Lobster’s boiled flesh into the tiny pool of butter which represented the poor bloke’s final immersion into something much different from his familiar salty ocean water, I pondered and debated and agonized over whether it was proper and right to eat this lobster, imagined so clearly the beady-eyed and sorrowful faces of his family when they realized their husband and father would not ever return home from his job down at the waterfront docks…
And, ultimately, I simply didn’t care. This meal, despite the physical and emotional effort required to obtain it, was despicable, yes, but it was also so delicious and delectable that it was more than worth the burden of guilt I carried with me out the restaurant door, where the muffled sobs burbled and bubbled up through the cold harbor waters from the sad place called Lobster Land on the dark and swirling ocean floor.
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Tags: eating lobster, lobsters, seafood
Occupy Parnassus!
As I’ve tried to market and publicize my recently published novella “Rip,” a modern-day parody of Washington Irving’s “Rip Van Winkle,” I’ve had to deal with this reality: It was published by an independent literary press, not by one of the mega-publishers, and that means bookstores and libraries and even some readers may look askance at my witty, clever, entertaining and perfect-for-someone-to buy-the-movie-rights book.
Happily, most of the people I’ve encountered — including bookstore owners and library directors — have been very good about treating me like I’m a real author of a real book, enthusiastically inviting me to read and to sign copies of books I sell, and (in the case of independent bookstores) taking a fair and reasonable share of the proceeds from book sales.
Nevertheless, and despite the sea changes in the world of traditional publishing, there are still the resisters and opponents and non-cooperators — using shorthand, let’s use the more familiar term “jerks” — whose futures are made cloudy and uncertain, at best, by the mega-publishers and mega-websites and mega-bookstore chains but who still cop an attitude toward small-press and independent books.
A representative of several independent bookstores in northeastern Massachusetts had expressed interest — even apparent enthusiasm — about “Rip” and the notion of having me do readings and book-signings at two of his stores. But then he sent me his guidelines and requirements, which included a fee of $50 to stock my book on his shelves and a fee of $250 for staging a reading at one of his stores.
Take heart, take heart, my fellow scriveners, and read the reply I sent in response to his kind offer. ————————————–
Dear X:
I’m writing in response to your letter outlining your policy for selling books and hosting readings by independent-press authors at your stores in XXXX and XXXX.
I find myself thinking about the “Occupy” movement and its rallying cry: that it represents the 99 percent of Americans who are being controlled, manipulated and often trampled by the 1 percent who control the vast majority of the nation’s wealth and, thus, wield most of the power, mostly using that power to safeguard their own interests.
I doubt that an “Occupy XXXX” or “Occupy XXXX” protest would accomplish much. But I like the idea of “Occupy Parnassus.” I’m hoping that you, besides making money from the sale of books and their authors, also read books. If you do, perhaps you’ll appreciate the Parnassus reference (from Greek mythology) to the mountain that was home to the Muses, and so is the symbolic home of the arts and literature.
I find myself thinking that stores like yours, which face the real prospect of extinction as you stand in the path of the unstoppable forces of online outlets like Amazon and big chains like Barnes and Noble, would think of their position as being very much akin to authors who find themselves caught in the chokehold of merchandising and money and megadeals that now rule mainstream publishing.
If you run an independent bookstore fighting against the impersonal and homogenized book-sale conglomerates, you’re part of the 99 percent. But your policy makes it sound like your true sentiments reside with the 1 percent.
At a cover price of $12.95, my profit margin on “Rip” is $7.70. To pay you 50% of the cover price would leave me with about $1.20 per book while you would collect five times that amount. What’s more, you want me to pay $50 for you to sell my book at your store. Tell me how that is fair and equitable. I’d have to sell about 40 books to break even.
For $250, you tell me you’ll stock the book and schedule me to read at your store. To make back that $250, I’d have to sell about 200 books at your store. Are you able to guarantee that level of success at your store? Are you that solvent and secure in this Age of Kindle?
I can only assume that your policy is very consciously intended to discourage independent authors who are pursuing other paths to the peak of Parnassus. If you’re in the business of selling books because books, to you, are simply a commodity, then I guess your policy makes sense. If you purport to love books, or think it’s important to put books in the hands of people, or to encourage creative pursuits, then your policy reveals a sad hypocrisy.
I have readings and signings for “Rip” scheduled at bookstores in New York, New Jersey and in Massachusetts venues over the next months. I’ve already made two appearances at bookstores. Neither suggested that I pay them $250 for the privilege of selling my books at their stores and sharing my talents with their customers by reading from and talking about my work. They took a 20 percent commission on books sold at those events and, in a gesture of support for independent authors, bought — bought, not took on consignment — books at 80 percent of the cover price to sell at their stores.
So, if you’d like me to be a guest author at your store, here are my terms:
- no fee to read/sign
- no fee to stock “Rip”
- bookstore to buy books at 80% of cover price for their stock
- 20% (of cover price) to the store for each book sold at the reading/signing
- the bookstore to advertise as is their standard for a reading/signing
- the bookstore to provide refreshments as is their standard for a reading/signing
In exchange for agreeing to those conditions, I will read selections from my novella “Rip,” answer audience questions, sign copies of books sold, talk about Washington Irving’s original and how it compares to my parody, and perhaps — if we schedule an appearance for the holidays — read from one of Irving’s delightful essays about Christmas in Olde England.
Best wishes,
Nicholas DiGiovanni
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Tags: "Rip", books, bookstore readings, bookstores liteary presses, independent publishers, Nicholas DiGiovanni, Rip Van Winkle
A bookish boy returns home
Yes, I was a bookish boy. And I was a baseball boy, first baseman and outfield in the Park Hill Little League. That’s why, when I was 9 years old and discovered the majestic old main branch of the Yonkers, N.Y., Public Library, at the corner of North Broadway and Nepperhan, I naturally gravitated to shelves where I was soon afflicted with my first reading addiction: a series of old, 1950s-vintage sports biographies of New York City baseball stars for the Yankees, Dodgers and Giants.
The Dodgers and Giants were long-gone to the West Coast, but these books had stayed behind. I read biographies of famous Yankees like Yogi and Whitey, as well as Monte Irvin, Carl Furillo, Pee Wee Reese, Duke Snider (I still remember that he owned an AVOCADO FARM in California), Whitey Lockman…the list goes on, and I’m sure it still brings a twinge to the heavy hearts of jilted fans of the “Jints” and “Dem Bums” of those exotic mythical lands called Coogan’s Bluff and Flatbush.
I devoured each and every one of several dozen sports biographies. Then I moved on the books about the history of Yonkers, which fascinated me then and still does now, with its Dutch origins and its hardscrabble industrial past, with its waves of immigrants and its majestic setting on the Hudson River, my City of Seven Hills, with its glories and its tragedies, where my ancestors are buried, my City of Gracious Living.
And then I discovered the library’s fiction section — thousands of novels! — and my whole world changed.
Last week I had the pleasure and honor of giving a reading at the main branch of the Yonkers Public Library, offering excerpts from my novella “Rip,” signing copies, answering questions about my writing, and meeting some very nice people.
It’s not the library I grew up with, a majestic granite structure, built with Carnegie money, which was torn down for a highway expansion. The new main branch is a shiny new four- or- five-story state-of-the-art facility, complete with huge windows offering stunning views of the Hudson River and its Palisades.
But my visit still conjured memories of dark winter afternoons when I’d leave the library with an armload of books, heading home for supper, walking a few blocks up Nepperhan past the Polish Community Center to Elm Street, then trudging four blocks up steep Nodine Hill, the city water tower looming at the crest of the steep incline, passing grocery stores and dry cleaners and pizza places and the hardware store and the bread bakery, until my books and I reached Oliver Avenue and home.
I made that walk and carried books away from that old library so many times that I really can remember every step along the way — but not once, I’m certain, did it ever occur to me that I might write books, that people in my hometown might want to hear me read from my books, ask me about how I wrote them, ask me to sign copies…I never imagined that someday one of my books would reside on a shelf at the Yonkers Public Library…Maybe even now there’s someone walking home with an armful of books on a dark winter afternoon, and maybe one of those books is mine.
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Tags: "Rip", books, Brooklyn Dodgers, Carnegie library, childhood reading, New York Giants, New York Yankees, Nicholas DiGiovanni, Nodine Hill, old Yonkers library, Yonkers, Yonkers Public Library
My novel “Rip,” a parody of Washington Irving’s classic “Rip Van Winkle,” is available at these locations:
Nighthawk Books, 212 Raritan Ave., Highland Park, N.J.
Book Garden, 26 Bridge Street, Frenchtown, N.J.
Half Moon Books, 35 North Front St., Kingston, N.Y.
Whimsies Incognito, 35 South Broadway, Tarrytown, N.Y.
Market St. Market, 95 Market St., Lowell, Mass.
If you don’t live in the vicinity of one of these stores, you can order “Rip” online:
Great holiday gift (perfect stocking stuffer for the readers on your gift list)! Great price (just $12.95)!
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Tags: "Rip van Winkle" parody, "Rip", American literature, DiGiovanni, Humor, Nicholas DiGiovanni, parody, Rip Van Winkle, satire, Washington Irving
Amazing! My book’s on Amazon!
My novella “Rip,” the funniest book since Dick Cheney’s autobiography, is now available for purchase through Amazon! (It’s only available in print form at the moment; Kindle edition should be available within a few days).
It isn’t just a great work of humor/satire/parody/stock market tips/advice to the lovelorn/travel writing/political analysis/historical fiction/zombie lore/fashion forecasts.
It’s also only $12.95, about the price of a large pizza (without toppings), which means “Rip” is the perfect Christmas gift for your more bookish friends, who will (if they find my book under their tree or in their stocking which they’ve hung by their chimney with care in hopes that Nicholas DiGiovanni’s “Rip” will be there) think that you are right on the cutting edge of American, nay, world literature.
They will be wrong, of course, but let’s indulge them (and me) in this nice fantasy!
Here’s what Black Angel Press publisher Steven Hart had to say about “Rip” —
RIP VAN WINKLE MEETS THE SIXTIES (AND FEMINISM)
IN A HILARIOUS RETELLING OF WASHINGTON IRVING’S VENERABLE TALE
Imagine Washington Irving sitting down for a friendly drink and spinning yarns with Kurt Vonnegut and Thomas Pynchon, and you’ll get an idea of the flavor of Rip, Nicholas DiGiovanni’s satirical retelling of Irving’s venerable story about ne’er-do-well Rip van Winkle.
DiGiovanni brings Rip van Winkle into the Sixties, finds him gainful employment as a toll-taker on the Tappan Zee Bridge, and makes his long suffering wife a charter member in the feminist movement just starting to sweep the country.
There’s a lot more packed into this story, but you’ll just have to read it for yourself. Suffice to say that once you’re done, you’ll understand why novelist Christian Bauman (In Hoboken, The Ice Beneath You) calls DiGiovanni “a master storyteller.”
This handsomely produced Black Angel Press edition includes the full text of Washington Irving’s original tale, giving readers the chance to savor two great storytellers at once.
Visit www.blackangelpress.com and you’ll find a link to order the book through Amazon. You’ll also find links to “About the Author,” “About the Book” and “About Black Angel Press,” as well as information about other Black Angel titles.
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Tags: "Rip", Black Angel Press, DiGiovanni, fiction, Humor, Nicholas DiGiovanni, parody, Rip Van Winkle, satire, Washington Irving
The days are slipping away — just 17 of them remain for folks to make pledges toward the kickstarter.com campaign to help fund publication of my humorous novella “Rip,” a modern-day “retelling” of the classic Rip van Winkle story, which is scheduled for publication and release in early November by Steve Hart’s literary imprint , Black Angel Press, which will also be publishing my novella “The Dogs of Arroyo.”
Please go to my “Rip” page at kickstarter for information about how you can quickly and painlessly make a pledge. In return, you’ll get a reward, ranging from $15 for a copy of the book to $30 for a signed copy to as much as $250 to have a minor character in the story renamed after you!
We’re halfway there but still $600 short of the goal. So please consider joining our effort.
Meanwhile….
I confess. I’m an optimist (or overly optimistic, take your pick). So I’m already scheduling book-signings and readings for “Rip” as well as my other Black Angel Press novella, “The Dogs of Arroyo.”
And I’ve got three events scheduled already!
The first: On Sunday, Sept. 25, as part of an outdoor townwide arts event in Highland Park, N.J., I’ll be reading from both novellas at Steve Hart’s Nighthawk Books on Raritan Avenue. Time will be announced.
Sometime in early November, if all goes according to plan, there will be a book(s) debut and signing at Nighthawk to celebrate publication of the two books.
Then, on Nov., 19, from 2 to 4 p.m., I’ll be back in my old stomping grounds, for a reading/signing for both books at Book Garden on Bridge Street in Frenchtown.
On Dec. 3, I’ll be appearing from 5 to 7 p.m. at Half Moon Books in Kingston, N.Y., up there on the Hudson River opposite Beacon, N.Y.
Still in the works: Possible appearances at Bruised Apple Books in Peekskill, N.Y., and Golden Note Books in Woodstock, N.Y., both for “Rip,” and Raconteur Books in Metuchen, N.J., for both “Rip” and “Dogs,” and — here’s one I’m really hoping pans out — a possible “Rip” reading at the amazing Dia art museum along the Hudson in Beacon.
I’ll keep everyone posted as more appearances are scheduled.
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Tags: "Rip van Winkle" parody, Black Angel Press, Nicholas DiGiovanni, Rip Van Winkle, Washington Irving, www.kickstarter.com
9/11
Take a few minutes to read this elegantly written and beautifully felt 9/11 remembrance by my daughter Laura Gutmann.
A few nights ago, I read the New York magazine 9/11 tenth anniversary issue. Not recommended before bedtime if you want to have sweet dreams. Nonetheless, as each piece of that day was dissected and reexamined, I couldn’t help but go back to my own ten years ago:
The Day of:
My roommate stuck a Post-It note on my laptop which told me to turn it on instead of rushing straight to class. My homepage was the same as always – set to the New York Times. As I read about the first plane, I called Harold to see if he’d heard. It was so difficult to conceptualize the news that I actually said, “Well, at least no one got hurt.” He kindly reminded me about all the people onboard and the workers in cubicles and conference rooms that were now on fire, smashed and broken. Oh.
Striding across campus, I called my father to make sure the ground was still standing in rural New Jersey. I knew that it would be, but it felt good to get confirmation. My morning professor told us that her approach to these sorts of things was to go on as normal, so we half-heartedly agreed and pushed forward. In my next class, the tone was quite the opposite. We spent the next few hours in collective shock as students swapped stories and updates – more planes, more losses. This professor openly sobbed and I appreciated that.
9 months later:
Harold and I moved to NYC, beginning our adventures in a city that we would only come to know post-9/11, post-tragedy. That first summer, we trekked down to the place where the towers once stood. Everything had sort of been cleared away, but there were still buildings covered in black shrouds and an incomprehensible hole and grey, dusty, empty streets and frozen, boarded-up storefronts.
At first I would indulge visitors who wanted to go see the site, too, but after a while I would send them down there alone, with subway directions and an apology for being too tired of seeing all the emptiness and the leftover flyers. The missing person flyers were especially the worst, still attached around the fence surrounding the church across the street from the WTC. You knew that they probably hadn’t done any good, and there were so many, filled with snapshots, filled with life. They were like the sum total of the Portraits of Grief being thrown at you in one fell swoop. The Portraits of Grief that ran in the Times after 9/11 were perfect and poignant, but they made me ache. Not to mention the vendors selling flags and trinkets and cashing in on graveyard souvenirs. Those folks were the second worst.
That fall:
Our apartment was just down the block from a firehouse that had lost several members that day. To mark the first anniversary of their sacrifice, a woman put up a huge, ornate display of flowers and candles below their photos, which hung outside the station. I passed her as she stood in panic, trying not to burst into tears as her carefully placed candles accidentally set all the flowers on fire. ”Oh, my God!” she cried. I half-joked that she was in the right place to be starting a blaze – that she could just go inside and the guys in there would help her out. She stared at me for a second and then pulled herself together. ”Right – I’ll go get the guys.” At least this mishap had an easy solution. I watched the flowers until someone came to the rescue.
By Halloween, Harold and I were confessing that we both purposely avoided walking on the firehouse side of the street, because passing the photos of those who had been lost was just too depressing to confront on a daily basis. In the next moment, we passed the station doors and caught sight of a baby dressed up as a firefighter, taking pictures next to the real thing. We smiled and said, “Well…I guess that was uplifting!” Life goes on.
Afterwards:
The flyers were eventually taken down from the church fence. People started to bustle around the gaping hole again. Yet, there were still emergency drills every few months with my kindergartners. There were bag checks at subway stations, and police cars lined along 42nd Street, and no liquids and shoes off at airports. There were the “See something, say something” posters, urging us to fear large backpacks during each step of our morning commutes. There were Arab (or Arab-looking) friends who faced discrimination. There was the knowing that there was no going back and President My Pet Goat was going to shepherd us through this new reality. New Yorkers will always remain confident, but now there was that lurking bit of uneasiness that kept creeping through, that couldn’t be stamped out.
Now:
It remains difficult to imagine that we’ll ever be able to shake those insecurities and fears. But, at least memories of the past ten years have also been coupled with hope and pride in Manhattan’s ability to rally and thrive. When we lived there, Harold covered a race held in memory of a firefighter who heard about the incident, put on his heavy gear and ran through the Brooklyn Battery Tunnel to get to the scene of the crime, three miles away. He left home on his off-day to help out – and it eventually cost him his life. Each fall, his friends and supporters race that same path in his honor, some wearing the same 60 pounds of gear.
Why did he feel compelled to rush to the scene? Was it his training, his sense of responsiveness? Was he drawn towards the action, feeling the pull of potential heroics? Perhaps. But I’d like to think that the greater part of him simply wanted to go help his firefighter comrades – and to help the people trapped in the towers. That undeniable sense of humanity is the most hopeful part of 9/11, by far.
Because of this, I remain grateful for the firefighters and police who did their best to respond and remember them along with the ordinary citizens who did nothing to deserve their terrible fate. All the same, I have to believe that looking forward is just as important as looking back. When my sister and I end phone conversations, our sign-off is always, “Peace, love & happiness!” It might be a bit much to ask, but I hope that the world ahead is full of just that, even when confronted by our darkest challenges and a city full of dust.
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Tags: 9/11, 9/11 anniversary, Laura Gutmann, New York City, Sept. 11, World Trade Center attacks
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