A sprightly tale…(or letting it “Rip”)

I’m planning to collaborate with friend Steve Hart to publish my humorous novella “Rip,” through his new New Jersey-based literary imprint, Black Angel Press.

And I’ve decided to pursue a new and innovative way to come up with funding for the project — check out www.kickstarter.com, which matches up donors with worthy creative projects.

It will cost an estimated $1,200 to hire a cover artist and a book designer and to pay the printer/publisher for 50 initial copies of the book, a print-on-demand ordering system through the Black Angel website (and amazon.com and barnesandnoble.com) and electronic editions of the book (including Kindle).

So if anyone reading this has friends named, um, Carnegie and Gates and Rockefeller and Buffett, and tell them about this great book and this innovative funding effort (it’s had lots of success, was written up recently in major media, and was used to raise funds for a book tour by another Black Angel Press author and to help finance the first CD recorded by my son’s friends’ band The Day’s Weight).

Donations, done through an Amazon account, can be as little as one dollar.

If you want to tell your billionaire friends about the book, here’s a brief description:
It’s the late 1960s and Rip is a toll collector on the Tappan Zee Bridge at Tarrytown, Washington Irving’s hometown and the locale of his other famous story, The Legend of Sleepy Hollow. The modern-day Rip is as complacent and lazy as ever; he spends most of his free time at a bar called the Sunnyside Tavern, where he hangs with a group of ne’er do well friends who call themselves the Sleepy Hollow Boys. Rip’s wife, portrayed so unfairly in the original story as a one-dimensional shrew whose relentless nagging compels her husband to take to the hills, is treated more evenly in this latter-day retelling — as her cause is taken up by a feminist group, led by the head of the Women’s Studies Department at Vassar, Lilith B. Anthony, whose members try to infiltrate the men-only Sunnyside Tavern and do battle with the Sleepy Hollow Boys.

Andrew Burstein, author of The Original Knickerbocker: The Life of Washington Irving, offered this praise after reading the manuscript of “Rip” —

“I don’t think that Washington Irving, America’s first great satirist, would mind that someone had decided to rouse him after so many years of placid entombment and allow him to experience the faded glory of the 1960s. In his iconic farce of 1809, Knickerbocker’s History, Irving pushed the limits of absurdity. Nicholas DiGiovanni has done the same here, mocking the mock-historian. In Rip, he has Irving’s idle hero set aside his fowling piece and become a toll taker on the Tappan Zee Bridge. It is, to paraphrase Irving, a sprightly tale.”

If you want to tell your billionaire friends where they can help fund this sprightly project, direct them this to this link:

http://www.kickstarter.com/projects/858629110/publication-of-rip-a-parody-of-the-rip-van-winkle

This site tells more about the project and details the funding options available through an Amazon account, ranging from $1 to $15 (the reward is a copy of the book) to $30 (the reward is a SIGNED copy of the book) right up to $250 (the reward is having a minor character in the novella NAMED AFTER THE DONOR!).

Thanks for spreading the word. The manuscript is ready to roll after I do one more careful read and editi. A book designer and cover artist has been brought into the project. Steve’s ready and waiting to add “Rip” to his roster of books (check out the website www.blackangelpress.com). And I’m already endeavouring to schedule book-signings and readings at bookstores and other venues up and down the Hudson River Valley. I’ll keep everyone up-to-date on the progress of the book.

Black Angel’s initial flight

That's novelist Steven Hart (rear) during an event held at his Highland Park, N.J., store, Nighthawk Books, where a book-publication party will be held Thursday, July 14, marking the release of the first three books issued by Steve's Black Angel imprint.

Find your way to Highland Park, New Jersey, on Thursday, July 14, and you’ll find me at the publication party celebrating the publication of friend and colleague Steve Hart’s first novel, “We All Fall Down.”

Steve’s new small-press imprint is based at his used-book and films emproium Nighthawk Books on Raritan Avenue in Highland Park, where the publication party will be held from 7 p.m. to 9 p.m. – with the added attraction (as if you needed more reason to attend than the opportunity to buy a signed copy of Steve’s novel) of music by the talented Matt DeBlass.

The new literary enterprise, called Black Angel Press (www.blackangelpress.com) is making its debut with three books: Steve’s novel “We All Fall Down” (which just got a thumb’s up in the book-review column of the New York Post); “Blips,” a collection of well-wrought poetry by John Marron; and “19th Nervous Breakdown: Making Human Connections in the Landscape of Commerce,” a provocative and entertaining book by Joseph Zitt, a work based on his experiences working for the Borders bookstore chain.

Take time to welcome this new literary enterprise — which, if all goes according to plan, will soon be publishing one (and maybe two )novellas by Nicholas DiGiovanni. It’s true! There’s even a very talented artist already working on ideas for the covers of planned editions of the novellas “Rip,” a modern-day tongue-in–cheek retelling of the Rip van Winkle story, and “The Dogs of Arroyo,” a spooky parable set in Puerto Rico complete with santeria gods who hold sway in the rain forest at night and are not happy that the island has become an economic colony of that big country to the north.

But that will be then and let’s get back to now: Thursday, July 14, from 7 p.m. to 9 p.m., at Nighthawk Books in Highland Park, N.J. a party celebrating the release of the first three books by Black Angel Press. I’ll be there and I hope you’ll all try to be there too.

A (poetry) festive(al) event

Philip Schultz will be the featured poet at this year's Delaware Valley Poetry Festival


New Jersey’s got a great poetry tradition, both in terms of individuals and institutions.
If you’re talking great poets, let’s talk New Jersey poets Walt Whitman and Williams Carlos Williams and Allen Ginsberg, for starters, and let’s add such current luminaries as Robert Pinsky (born, raised and educated in N.J.), Paul Muldoon and C.K. Williams and Yusef Komunyakaa (all three teach at Princeton), National Book Award winner Gerald Stern of Lambertville, and other outstanding Jersey-based poets including B.J. Ward, Maria Gillan and the great Joe Weil (sprung fully formed from the loins of Elizabeth, N.J.)

If you’re talking about poetry, how about the spectacular Geraldine R. Dodge Festival – and a much smaller event called the Delaware Valley Festival, held yearly in two small towns, Frenchtown and Stockton, along the Delaware River.

I started the festival back in 1998 when then-U.S. Poet Laureate Robert Pinsky agreed to be the featured poet, joined by New Jersey poets (including Weil and my friend, the poet Charles H. Johnson) associated with the Geraldine R. Dodge Foundation. The festival’s debut was a huge success — and we were off and running, as subsequent festival featured the likes of Louise Gluck (who became our nation’s poet laureate herself a few years later), Pulitzer winner Muldoon, Stern, Diane Wakoski, Gillan, Thomas Lux, Stephen Dobyns, Pinsky again (for the 10th anniversary) and, last year, former U.S. Poet Laureate and Pulitzer winner the great Rita Dove.

As my life has taken a new direction I’ve decided to end my involvement with the Delaware Valley Poetry Festival, handing over the reins to the capable hands of Frenchtown-based poet Skye van Saun, who will continue to work on with my talented friends and colleagues Keith Strunk and Laura Swanson of River Union Stage.

One of my last acts as coordinator of the event was to recruit this year’s featured poet, Pulitzer Prize-winner Philip Schultz.

On the bill with Schultz are New Jersey poets Cat Doty and Linda Radice. Admission is free but donations are welcome. Seating is limited and first-come, first-served. For more information, call 908-996-3685 or visit riverunionstage.org.

Why am I writing about this now? Because the 13th annual Delaware Valley Poetry Festival will take place Friday, Sept. 24, at 8 p.m., at Prallsville Mills in Stockon, N.J. If you’re anywhere near New Jersey, it’s practically a can’t-miss event if you’re a lover of poetry and literature.

And, yes, I know I misspelled “festival” as “festive(al)” in the title of this post. That’s what’s known as poetic license!

Friday night soundtrack: “It Makes No Difference”

“Read ‘em and weep…”

American smooth

The title of this posting, “American Smooth,” is a clue and a description.

Back in 1998, I got involved with a poetry program at my local high school and had the nerve to ask one of our nation’s greatest poets — Robert Pinsky, who had just been named U.S. Poet Laureate — to take part by conducting student workshops in the afternoon and giving a public reading in the evening.  Robert kindly accepted my invitation, hundreds of people showed up for his reading on that April night, and the Delaware Valley Poetry Festival was born.

Since then, thanks in large part to Robert Pinsky’s helping hand in that inaugural year, the Delaware Valley Poetry Festival has turned into one of New Jersey’s most remarkable and most unusual cultural events, bringing world-class poets — including Louise Gluck, Paul Muldoon, Gerald Stern, Diane Wakoski and many other talented poets of both national and regional accomplishment — to a relatively isolated, still somewhat rural region of western New Jersey.

That tradition of excellence will continue this fall. Here’s a press release I just sent out to poets, poetry fans and media outlets:

One of America’s most highly-acclaimed poets, former U.S. Poet Laureate and Pulitzer Prize winner Rita Dove, will read from her works at the 12th annual Delaware Valley Poetry Festival, which will be held Saturday, Oct. 17, 2009, at 8 p.m. in the newly renovated former sawmill at the historic Prallsville Mills along the Delaware River in Stockton, N.J.

Admission is free but donations are welcome. Seating is limited and admission will be first-come, first-served.

Dove will add her name to an impressive list of distinguished poets who have read at the Delaware Valley Poetry Festival, including former U.S. Poet Laureate Robert Pinsky, Pulitzer Prize winners Paul Muldoon and Louise Gluck (also a former U.S. poet laureate), National Book Award winner Gerald Stern, and award-winning poets Thomas Lux, Maria Mazziotti Gillan, Stephen Dobyns and Diane Wakoski. The series has also hosted a number of outstanding poets from New Jersey and the region, including Charles H. Johnson, BJ Ward, Joe Weil and dozens of others.

Rita_Dove2006

Rita Dove was born in Akron, Ohio, in 1952. She served as Poet Laureate of the United States from 1993 to 1995. Among her many honors are the 1987 Pulitzer Prize in poetry, the 1996 Heinz Award in the Arts and Humanities and the 2006 Common Wealth Award. President Bill Clinton bestowed upon her the 1996 National Humanities Medal.

Her books of poetry include American Smooth (W. W. Norton, 2004); On the Bus with Rosa Parks (1999), which was named a New York Times Notable Book of the Year and was a finalist for the National Book Critics Circle Award; Mother Love (1995); Selected Poems (1993); Grace Notes (1989); Thomas and Beulah (1986), which won the Pulitzer Prize for Poetry; Museum (1983); and The Yellow House on the Corner (1980).

In addition to poetry, Dove has published a book of short stories, Fifth Sunday (1985), the novel Through the Ivory Gate (1992), essays in The Poet’s World and the verse drama The Darker Face of the Earth (1994). She also edited The Best American Poetry 2000.

Dove is Commonwealth Professor of English at the University of Virginia, where she has been teaching since 1989. She was elected a Chancellor of the Academy of American Poets in 2006.

Her latest poetry collection, Sonata Mulattica, was published by W.W. Norton in the spring of 2009

The Delaware Valley Poetry Festival is presented in partnership by River Union Stage of Frenchtown and the event’s founder and coordinator, Nicholas DiGiovanni of Alexandria Township, a journalist and novelist. Funding is provided by the Hunterdon County Cultural and Heritage Commission and the New Jersey State Council for the Arts. The event has been held annually since 1998, debuting with a reading by then-U.S. Poet Laureate Robert Pinsky, who returned to help celebrate the 10th year of the reading series.


“American Smooth” — the title of one of Rita Dove’s poetry collections and a good description of her poems, both when they’re on the printed page and when they’re read aloud.

Here’s a video clip of Rita Dove reading from her latest book, Sonata Mulattica:

Enjoy the video. Buy a copy of  Rita’s new book. And try to make it to Stockton, N.J., a beautiful town along the Delaware River north of Philadelphia, for a chance to see, hear and get a book signed by one of America’s finest poets, whose work combines great intelligence and depth with even greater heart and spirit.

Wheel of fire

This is an excerpt from my novel “Gloryville.” The narrator is the novel’s protagonist, who spends his time attending the funerals of strangers.

WHEEL OF FIRE

By Nicholas DiGiovanni

An obituary appeared in the Knickerbocker News in upstate New York. All it said was “Mr. Jacob Potter of Bedford Falls died yesterday. There will be no calling hours and no services, and burial will be private. Arrangements are by the Knickerbocker Home for Funerals, Amsterdam.” But the next day, another tiny notice was tucked into the obituary column: “Calling hours for Mr. Potter of Bedford Falls, who died two days ago, will held tonight from 7 to 8 p.m. at the Knickerbocker Home for Funerals, Amsterdam.”

I arrived at the funeral home right at 7 o’clock, and already there was a long line of people — every one of them smiling — waiting to get into the viewing. I got in line. While I waited, I heard laughing and shouting and what sounded like firecrackers exploding inside the funeral parlor. I did not know at the time what Jacob Potter had done to make so many people hate him. All I knew was that it most have been something terrible. Never had I ever heard so many words drenched with such venom and soaked in such bile. Never before had I heard so many oaths and obscenities uttered, and uttered with such pleasure and passion. Never had I seen so many spiteful sneers and devilish grins, so many men rubbing their hands together with glee, so many chortles and whispers and curses and oaths. Such happiness and enthusiasm at a funeral!

Potter lay there in a cardboard box. I donï”t mean a cheap pine coffin; I mean it was a cardboard box. There were flowers all around, with cards and notes attached, but the flowers were all wilted and rotting, mostly roses with shriveled petals and pin-sharp thorns. A photo of Potter had been placed on a small table — but someone had drawn a funny mustache on his face and someone else had drawn a big black X over the picture.

I discretely checked some of the cards and notes attached to the flower baskets. One of them said, `Rot in hell, Potter.” Another one said,”Good riddance, you bastard.” The third one said,”Rest in peace, you son of a bitch.” And the fourth one said,”Bon voyage, asshole.”

There had to be three hundred people — old and young, men and women — jammed into the funeral home. They were all laughing and pointing at Potter, shaking hands, patting each other on the back, clicking their heels, congratulating each other. A little boy with a water pistol kept squirting Potter’s head right between the eyes. Two men who worked for the Knickerbocker Home for Funerals were handing out noisemakers and wearing party hats. Women were blowing him kisses with mock affection and stopping in front of his coffin to curtsey with exaggerated elegance.

Then someone — a tall, lanky fellow with a slight stutter — got up and said: “Now it’s time for us to say our final farewell to Mr. Potter.”

This announcement was greeted with boos and groans.

“No, really, fellas, we’ve got to end this. I’ve got my car parked at a meter and, gee whiz, it’s gonna cost me another nickel if we don’t get this over quick. Besides, I know you’ve got more important things to do — like me,I’ve got to go down to the garage and get my oil changed!”

“Yeah, that’s right!” someone shouted. “Yeah, I’ve got to go return a movie at the video store!” Someone else shouted, “Yeah, me too, I’ve got an important appointment – with a tall cold beer down at the KnickerbockerBar!”

This last was greeted with gleeful shouts of “Here’s mud in your eye!” and “Cheers!” and “Bottom’s up!” and “Hey, Potter, wanna beer?”

“Okay fellows. Repeat after me on the count of three, ready? One…two…three…BURN IN HELL, POTTER!”

Everyone shouted in response: “BURN IN HELL, POTTER!”

One of the funeral-home attendants then stepped forward and said: “That concludes our service. Thank you all for coming and we wish you peace and comfort in your time of grief.”

This was greeted with wild applause and shouts of “Well done!” and “Good job!” and “This was worth waiting for!” and one last “Burn in hell, Potter!”

Then everyone rushed out of the funeral home and headed to the corner tavern referred to previously by one of the mirthful mourners.

I approached the casket and looked carefully at Jacob Potter. I donï’t know what I was looking for or what I expected to see. The numbers 666 tattooed on his forehead? Maybe that Potter’s face wasn’t really his face and that I’d tear off a rubber mask and find beneath the face of Adolph Hitler, who didn’t die in the bunker and didn’t flee secretly to Argentina but who instead had fled to the Greater Albany area? Maybe it was all just one big practical joke, and Potter wasn’t really dead and would spring up in his cardboard coffin and shout “Gotcha!” when I leaned over to listen for signs of life?

The funeral home attendants returned to the room and closed the lid on Potter’s flimsy coffin.

“Where are you taking him?” I asked.

“Who wants to know?” one of them replied. “What’s it to you?”

“I’m just curious. Where’s he being buried?”

“Potter’s Field, of course,” the other replied with a giggle.

“Either that, or the town dump,” the first attendant chimed in.

“What did he do wrong?” I asked. “Why did everybody hate him?”

This is what they told me:
Thirty years before his death, Jacob Potter, wealthy owner of an Amsterdam
carpet mill, had been looking for places to invest his money so he could avoid paying taxes and accumulate even more money.

One thing he did was invest money in a stock-car team that raced at the Fonda Speedway. Potter paid for a new car — a red 1969 Oldsmobile Cutlass with a powerful V-8 engine, which was emblazoned with decals that said POTTER’S CARPET MILLS and TEAM POTTER. He hired a top driver. He hired top mechanics. But the powerful car and highly-paid driver and well-compensated mechanics could not win a race — iin fact, Team Potter didn’t win a single race for two entire racing seasons. A headline in the racing circuit’s weekly newspaper blared: “LAUGHINGSTOCK OF THE STOCKS: TEAM POTTER”

Potter, reacted, of course, like a typical money-hungry businessman. He cut his losses. He replaced the top-rated, highly-paid driver with a mediocre and very stupid and inbred farm boy who was happy to get even a crappy salary as long as he could go vroom around the track in something faster than a tractor. Potter fired the mechanics and had the farm boy do the repair work himself. And he scrimped on maintenance and parts — including replacing the car’s expensive top-of-the-line tires with retreads purchased from an auto junkyard in Esperance.

One Saturday night, in front of a full house, Team Potter’s car was speeding around the final turn. The engine exploded — and just at that moment, the left front wheel broke off from the axle. The flames shooting from the engine set the rubber tire on fire.

The tire bounced down the track, hit the grandstand railing, went airborne, and rolled into a crowd of Cub Scouts who were on a day trip with their pack.

The wheel of fire, flames shooting out as it bounced and spun up through the grandstand, careened into the pack of Scouts — there’s a baker’s dozen in a Cub Scout pack, apparently, or at least there were in this pack. Six of them caught fire and were incinerated on the spot; six of them had their hair catch on fire but were otherwise unharmed, except that their hair never grew back and Fonda became famous — and even something of a tourist destination — for being the home of the famous Six Bald Cub Scouts; and one of the Scouts, the thirteenth, somehow avoided being scorched by the flames of the burning wheel but was left with treadmarks branded on his forehead.

The flaming wheel continued up the bleachers, bounced over the edge of the grandstand — and landed on a farm wagon filled to overflowing with bales of dry hay, which instantly burst into an inferno. The wagon had been left there by a farmer who had come to Fonda to sell his hay but had decided, just on a whim, to hitch his horse and wagon for an hour to watch the dirt-track races before selling the bales and then heading back to his farm.

The hay farmerï’s horse, of course, panicked, taking off at a fast trot down the main street of Fonda, trying in vain to run away from the roaring flames right behind it and panicking even more as the flames stayed right at its rump, occasionally sending out a finger of fire that singed the horse’s tail.

The faster the horse ran, the faster the wind fanned the flames and blew chunks of burning hay off the wagon — setting fire to a small wooden shed outside the racetrack, and also igniting a row of small wooden houses occupied, as it happened, by the last remaining members of the Mohawk nation.

The fire spread through the town, destroying the race track along with 153 cars in the parking lot, twenty-three homes, the Agway store, the John Deere dealership, and the offices of the Fonda Free Press newspaper, which that week managed to put out a special edition of the paper on the printing press at its rival across the Mohawk River, the Fultonville Gazette. The newspaper had extensive coverage — stories and photos — of the devastation, and also ran a front-page editorial suggesting that maybe it was “time for the cheaskate, penny-pinching taxpayers of the incorporated village of Fonda to fork out the money to pay for operation of a community fire company” and also urging the governor of New York and the president of the United States himself and “maybe even the United Nations, if possible” to “declare Fonda a disaster area” so funds could be made available to rebuild the devastated town and especially to reconstruct the racetrack, “hopefully in time for the opening of the next racing season.”

This was not to be, unfortunately. The Agway and John Deere stores neve reopened. Twenty-two residential taxpayers were killed in the fires ignited by Jacob’s wheel. While one bit of good fortune somehow steered the fire away from the adjacent fairgrounds, the loss of those other tax revenue left the good people of Fonda with nothing but survivor’s guilt; with the satisfaction of knowing that they had found it within themselves to tar and feather Jacob Potter and carry him out of town on a rail; and with the burned hulk of the Fonda Speedway, which was left standing as a sobering reminder that, as the Fonda newspaper editorialized in the next week’s edition, “life was unsafe at any speed,” that “you never know when your brakes might fail so enjoy the scenery as you drive along the highway of life,” and that “you should always make sure that you change the oil in your car’s engine every three thousand miles and also make sure that your tires have sufficient tread and are inflated to the weight recommended by the manufacturer.”

What became of the wheel of fire? When the burning hay wagon reached the Mohawk River, the horse stopped abruptly — some speculated that this was because the horse did not know how to swim; others suggested that the horse was simply thirsty after doing all that running; others, horse lovers, insisted that the horse was intelligent and had figured out that running was accomplishing nothing — and the resulting momentum sent the wheel of fire sailing and spinning into that dark and murky river, where it momentarily lit up the water and briefly sizzled in an oil slick, then sank with a hiss into the depths.

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