Nighthawks by Edward Hopper

MANIFESTO
It feels like you’re buried beneath the rubble of your own ground zero. It feels like you’ll never get out. It feels like if you breathe too deeply or even twitch a muscle, even blink, that the rubble may shift and crush you.

You are aware of heroic rescue attempts. You appreciate the effort. Now you think they should go home to their families and friends, save themselves before they themselves get hurt.

From the rented second-floor apartment in the wilds of New Jersey you can hear the Turnpike’s endless hum and the mournful horns of trains speeding down the NJ Transit tracks….The woeful horns and droning hum are a mocking fanfare trumpeting the arrival of love…the finale is discordant and flat and empty and unbearable…like the pain of remembering great love that suddenly vanished — but not without a trace.

Shall you tell of when hope floated on the horizon, when love whispered “Hey, I’m still possible,” when tenderness and affection and two souls recognizing each other were not a fantasy or wishful thinking and these things were suddenly recognizable again even when they seemed beyond recognition, whenthe universe once again revealed its great secret — that a loving embrace and two hearts beating in close proximity hold all the answers to life’s mystery, that the answer might be revealed in a kiss.

Shall you say whether this was decades ago? Or just months ago? Or just last weekend? Or next weekend? Just months from now? Decades into the future? All of the above?

You are tired of hearing your sad laments filling the airwaves every time a passing car zips by with windows down and music blaring…
Here are the songs you keep hearing:

Behind every beautiful thing there’s been some kind of pain…Ain’t looking for nothing in anyone’s eyes…Don’t even hear a murmur of a prayer…It’s not dark yet, but it’s getting there…
My love for you is like a sinking ship/My heart is on that ship out in mid-ocean…

Mix in “Girl From the North Country,” Van Morrison’s “Someone Like You” and Andy Williams singing “Moon River” and you’ve got something to listen to when you’re in that late-night mood and there’s a brilliant half moon in the starless sky and a truck horn blares and it’s three in the morning and two riders are approaching and the wind begins to howl and it makes the lights flicker and you hear a door open and footsteps on the stairs and you wonder if it’s someone coming for you and you hope someone’s coming for you but you suspect there’s no one here for you and you finally stop listening and finally stop hoping and finally fall into the sleep of the sleepers, which is a restless farewell but also a great escape.

There’s a glimmer of light through the rubble — perhaps the light from a rescuer’s lamp — but now the light’s gone dim…let the lighted lamp pass…you’re tired of calling for help and saying “Here I am…come back…I’m over here…” Either you’ll dig your own way out of the debris. Either the one you hope will search for you will pull you from the rubble. Or perhaps you’ll abide and reside amid the rubble for the rest of your rubble-strewn days.

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